Episode

S1E5: Finding New Music: Being A Repertoire Detective

4 best sources for quality repertoire and how to use them

1. Repertoire lists

2. Member-contributed content sites

3. A shortlist of quality publishers (not the usual suspects!)

4. Self-published composers

Template for your own repertoire list

4 do's and don'ts of researching repertoire

  1. Don't just research pieces and composers you already know
  2. Don't just listen to one recording
  3. Do listen all the way through
  4. Do look at the score

Action Steps

  1. Start your own repertoire list. Download the template and start entering pieces you've done and pieces you're considering for your ensemble.
  2. Visit a publisher you haven't heard of before and go through the detective process. Select a piece you don't know that's at your ensemble's level and listen through with the score. Add it to your repertoire list.

Share your action steps with us on Instagram! Take a photo or screen shot, tag us @conductingartistry and use hashtag #conductingartistryinaction

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S2E4: Plan, Reflect Adapt - How to Make Progress in Rehearsal

How can we set ourselves up to listen better in rehearsals? What can be planned in advance, and when do we need to adapt our plans? What tools can we use to make our rehearsals more efficient? What does good feedback for players look like, and how can we deliver it in a sensitive way? We tackle all these questions and more as we explore the nitty gritty of middle rehearsals.

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S2E3: First rehearsals - trust, expectations and listening like crazy

It's the all-important first rehearsal! What is needed from both conductors and players in the first rehearsal? How does stress play a role? How do we navigate the dynamics of conducting professional versus educational orchestras? How can understanding attention help us set more reasonable expectations for ourselves, and the musicians?

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S2E2: From paper to performance - score study, imagination & listening like crazy

How do you effectively prepare and study a score before rehearsals? How do you create your own vision for the piece? Should you listen to recordings? What about MIDIs? How do you prepare for a world premiere where no recording exists? We tackle all the curly questions to help you boost your score preparation.

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